{"id":784,"date":"2019-05-30T12:54:25","date_gmt":"2019-05-30T12:54:25","guid":{"rendered":"http:\/\/www.sarahsparkes.com\/blog\/?p=784"},"modified":"2019-05-31T10:05:51","modified_gmt":"2019-05-31T10:05:51","slug":"new-doggerland","status":"publish","type":"post","link":"https:\/\/www.sarahsparkes.com\/blog\/new-doggerland\/","title":{"rendered":"New Doggerland"},"content":{"rendered":"
\n

I’ll be showing a new work,\u00a0 ‘Heroes and Villains’ at Lumen London as part of the inaugural exhibition for New Doggerland:
\nhttps:\/\/www.lumenstudios.co.uk\/future-events\/yd4xwr6pg7e569nf9syprhcpxf645y<\/a><\/p>\n

This work represents the beginning of a larger work in development for future iterations of the New Doggerland project.<\/p>\n

\n

\"heroes‘Heroes and Villains’ Sarah Sparkes 2019<\/p>\n<\/div>\n

\u201cWe\u2019re not searching for anything except people. We don\u2019t need other worlds. We need mirrors.\u201d
\n\u2015 Stanis\u0142aw Lem
\n<\/span><\/span><\/span><\/span><\/p>\n

‘Heros and Villains’ Sarah Sparkes 2019
\n<\/span><\/span><\/span><\/span>After completing an MA in art Sarah Sparkes went on to study an archaeology diploma in the pre-history of southern Britain. For New Doggerland, Sparkes returns to her past research and assimilates this with themes from science fiction. She has imagined her work and New Doggerland as a manifestations from the sentient ocean in Stanislaw Lem’s Solaris.<\/span><\/span><\/span><\/p>\n

new doggerland<\/b><\/span><\/span>future imaginings of place and culture
\n<\/b><\/span><\/span><\/h3>\n

Opening event: Thursday 30th May 6.30 – 8.30 pm
\n<\/b><\/span><\/span>First Thursdays late opening Thursday 6th June 6.30 – 9.00pm
\n<\/b><\/span><\/span>Gallery Opening hours: Thursday to Sunday 12 – 6 pm
\n<\/b><\/span><\/span>Exhibiting artists: Frances Burden |Deborah Gardner |Jane Millar | Sarah Sparkes
\n<\/b><\/span><\/span>‘In a sense, if you’re not getting it wrong really a lot when you’re creating imaginary futures, then you’re just not doing it enough. You’re not creating enough imaginary futures.’ <\/i><\/span>William Gibson<\/span><\/p>\n

New Doggerland is a new multi-disciplinary artists project for a future imagining of physical and cultural re-connection between Britain and the European mainland. Doggerland is the name given to the ancient landmass, now submerged, that once connected Britain to Northern Europe. What if a new land mass rises up and we become physically part of the mainland again?
\nNew Doggerland is a project about future land and humans. It asks questions to which the exhibitors and participants will respond with different ideas and answers. Who will be living there and how? It may evoke a Ballardian dystopia, or ideas of possible Utopia. Or could New Doggerland be the heterotopia where we go to experience ‘other’ selves, a place of becoming?
\nAbout the artwork: featured works include textiles, sculpture, ceramics and installation. Frances Burden’s stitched pieces and works on paper range from the uniformity of Orwell and Huxley to the wild Egyptian glamour of Earth Wind and Fire, to explore the common themes of future imagining the look of dress and costume. Her pieces here are a sample selection for the everyday and the ceremonial. Sculptor Deborah Gardner considers future shifting plant environments from the local to the alien and imaginary considerations of plants in space, partly inspired by recent images of NASA\u2019s experiments with growing plants on space craft and science fiction visions of extra-terrestrial colonisation. Ceramic artist Jane Millar envisions a future crisis of lost knowledge. Her Orrery attempts a narration of origins and contingencies, while a Werkbund type traveller’s display case of wave forms triggers unrecovered memories and soothes future human survivors’ feelings of loss. Artist Sarah Sparkes followed her MA with studying for an archaeology diploma in the pre-history of southern Britain. Sparkes returns to her past research and assimilates this with themes from science fiction. She has imagined her work and New Doggerland as a manifestations from the sentient ocean in Stanislaw Lem’s Solaris.<\/p>\n

Lumen are an art collective focused on astronomy and light. St John on Bethnal Green is a grade 1 Listed Building designed by Sir John Soane, and was built between 1826 and 1828. The Lumen Crypt Gallery reflects Sir John Soane’s attention to detail, boasting unique curved walls and egg shaped pods. https:\/\/www.lumenstudios.co.uk\/gallery<\/p>\n

‘In a sense, if you’re not getting it wrong really a lot when you’re creating imaginary futures, then you’re just not doing it enough. You’re not creating enough imaginary futures.’ <\/i><\/span>William Gibson<\/span> <\/i><\/p>\n

New Doggerland<\/i><\/span> is a new multi-disciplinary artists project for a future imagining of physical and cultural re-connection between Britain and the European mainland. Doggerland is the name given to the ancient landmass, now submerged, that once connected Britain to Northern Europe. What if a new land mass rises up and we become physically part of the mainland again?<\/span><\/p>\n

New Doggerland <\/i><\/span>is a project about future land and humans. It asks questions to which the exhibitors and participants will respond with different ideas and answers. Who will be living there and how? It may evoke a Ballardian dystopia, or ideas of possible Utopia. Or could New Doggerland be the heterotopia where we go to experience ‘other’ selves, a place of becoming?<\/span><\/p>\n<\/div>\n<\/div>\n

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I’ll be showing a new work,\u00a0 ‘Heroes and Villains’ at Lumen London as part of the…<\/p>\n","protected":false},"author":1,"featured_media":789,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[99],"class_list":["post-784","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-new-doggerland"],"_links":{"self":[{"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/posts\/784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/comments?post=784"}],"version-history":[{"count":8,"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/posts\/784\/revisions"}],"predecessor-version":[{"id":797,"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/posts\/784\/revisions\/797"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/media\/789"}],"wp:attachment":[{"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/media?parent=784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/categories?post=784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/tags?post=784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}