{"id":719,"date":"2017-09-27T08:04:22","date_gmt":"2017-09-27T08:04:22","guid":{"rendered":"http:\/\/www.sarahsparkes.com\/blog\/?page_id=719"},"modified":"2017-09-27T08:04:22","modified_gmt":"2017-09-27T08:04:22","slug":"peninsula","status":"publish","type":"page","link":"https:\/\/www.sarahsparkes.com\/blog\/3-dimensions\/peninsula\/","title":{"rendered":"Peninsula"},"content":{"rendered":"<p><span style=\"font-family: Arial,sans-serif;\"><b>Sarah Sparkes &amp; Ian Thompson, 2017, 3.00<\/b><\/span><\/p>\n<div id=\"attachment_707\" style=\"width: 910px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-707\" class=\"wp-image-707 size-large\" src=\"https:\/\/www.sarahsparkes.com\/blog\/wp-content\/uploads\/2017\/09\/SparkesThompson-PENINSULAR-still-jpeg-1-1024x576.jpg\" alt=\"Sparkes+Thompson PENINSULAR still \" width=\"900\" height=\"506\" srcset=\"https:\/\/www.sarahsparkes.com\/blog\/wp-content\/uploads\/2017\/09\/SparkesThompson-PENINSULAR-still-jpeg-1-1024x576.jpg 1024w, https:\/\/www.sarahsparkes.com\/blog\/wp-content\/uploads\/2017\/09\/SparkesThompson-PENINSULAR-still-jpeg-1-300x169.jpg 300w, https:\/\/www.sarahsparkes.com\/blog\/wp-content\/uploads\/2017\/09\/SparkesThompson-PENINSULAR-still-jpeg-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><p id=\"caption-attachment-707\" class=\"wp-caption-text\">Sparkes+Thompson PENINSULAR still<\/p><\/div>\n<p><span style=\"font-family: Arial,sans-serif;\">Referencing supernatural film tropes and drawing on the aesthetics of electronic voice phenomena, Peninsula transports the viewer into a liminal space. Sparkes and Thompson have combined layers of sound and image to create a mesmerising yet disturbing journey in which the viewer travels, together with the films unsettling auditory and visual presence, to an uncertain conclusion.<\/span><\/p>\n<p><span style=\"font-family: Arial,sans-serif;\">Currently showing at the Venice Biennale as part of EMPIRE II a collateral event, part of the British Art Map, in which 100 artist have made a three minute film exploring anxiety. <\/span><\/p>\n<p><span style=\"font-family: Arial,sans-serif;\">EMPIRE ii has toured to Brussels and has upcoming screenings in Cumbria, Berlin, Tokyo and London.<\/span><\/p>\n<p><span style=\"font-family: Arial,sans-serif;\">A catalogue has been produced for EMPIRE II Designed, produced and published by Victor Hotz Studio<\/span><\/p>\n<p><span style=\"color: #000080;\"><span lang=\"zxx\"><u><a href=\"http:\/\/www.empire2.info\/index.html\"><span style=\"font-family: Arial,sans-serif;\">http:\/\/www.empire2.info\/index.html<\/span><\/a><\/u><\/span><\/span><\/p>\n<p><span style=\"font-family: Arial,sans-serif;\">\u00a0<\/span><\/p>\n<div class=\"gk-social-buttons\">\n\t\t\t<span class=\"gk-social-label\">Share:<\/span>\n\t\t\t<a class=\"gk-social-twitter\" href=\"http:\/\/twitter.com\/share?text=Peninsula&amp;url=https%3A%2F%2Fwww.sarahsparkes.com%2Fblog%2F3-dimensions%2Fpeninsula%2F\"\n\t            onclick=\"window.open(this.href, 'twitter-share', 'width=550,height=235');return false;\">\n\t            <span class=\"social__icon--hidden\">Twitter<\/span>\n\t        <\/a>    \n\t\t\t\t\n\t\t\t<a class=\"gk-social-fb\" href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.sarahsparkes.com%2Fblog%2F3-dimensions%2Fpeninsula%2F\"\n\t\t\t     onclick=\"window.open(this.href, 'facebook-share','width=580,height=296');return false;\">\n\t\t\t    <span class=\"social-icon-hidden\">Facebook<\/span>\n\t\t\t<\/a>\n\t\t\t\n\t\t\t<a class=\"gk-social-gplus\" href=\"https:\/\/plus.google.com\/share?url=https%3A%2F%2Fwww.sarahsparkes.com%2Fblog%2F3-dimensions%2Fpeninsula%2F\"\n\t           onclick=\"window.open(this.href, 'google-plus-share', 'width=490,height=530');return false;\">\n\t            <span class=\"social__icon--hidden\">Google+<\/span>\n\t        <\/a>\n\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Sarah Sparkes &amp; Ian Thompson, 2017, 3.00 Referencing supernatural film tropes and drawing on the aesthetics&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":18,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-719","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/pages\/719","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/comments?post=719"}],"version-history":[{"count":1,"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/pages\/719\/revisions"}],"predecessor-version":[{"id":720,"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/pages\/719\/revisions\/720"}],"up":[{"embeddable":true,"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/pages\/18"}],"wp:attachment":[{"href":"https:\/\/www.sarahsparkes.com\/blog\/wp-json\/wp\/v2\/media?parent=719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}